Showing posts with label Beirut. Show all posts
Showing posts with label Beirut. Show all posts

Tuesday, April 21, 2009

New Obsession, continued

Honestly, Yeasayer is way hipper than the music I usually listen to. I mean, their album was Pitchfork's "Best New Music" for weeks when it came out. I mean, seriously, they are from Brooklyn and describe themselves as "Middle Eastern-psych-snap-gospel." Somebody kill me now, please. Gross.

BUT THIS TRACK IS INCREDIBLE.

The only reason I listened to it was because I had been listening to Yeah Yeah Yeahs and just let my itunes continue to play. What just happened to come on was Yeasayer's contribution to the Dark Was the Night compilation, "Tightrope." It think I've already listened to it about 12 times today. And that's a conservative guess.

Here's a video of them performing the song. Slightly different than the studio version, but still delectable. (don't let the disgusting hipster outfits turn you off. it's pretty bad. like, downright stereotypical.)



It was raining when I first heard this song. And I think that almost describes it perfectly. It's music to listen to the rain with. Gorgeous, contemplative, dreamy. Like the tribal Broadcast 2000. The more rocking Beirut. With monkey sounds. That's it! It's rain forest music. And I mean that in the best possible way. Also, I'm really in love with Chris Keating's vocal delivery; he doesn't settle for the straightforward and really plays with what he singing, the "never mind" bit is my fave.

After the first couple listens I noticed the first few lines... "So you're wishing that you never did all the embarrassing things you've done. And you're wishing you could make it right. And you're wishing you could stay the night." Seriously. Story of my life. And he's right, "wishing never solved a problem."


NEW THEME SONG TO MY LIFE.

Tuesday, March 24, 2009

Broadcast 2000

I love when my "Take on Me" google alert lead me to strange and wonderful things. First, it was the Muse mash-ups (and my subsequent love of "Starlight") and now this.

Should I explain? Apparently these dudes (well, this one dude, Joe Steer, and his live band) have been known to play "Take on Me" during their live show. According to the review that my google alert alerted me to, Joe handles the challenging vocals of ToM with ease. I wish I could find it, but there appears to be no recording.

But that's ok! That same review also said that they sound nothing like their name, Broadcast 2000, might make you think (which to me could either be some sort of electronic collective or a pop-punk band on Drive-Thru Records (no offense Evan!)). I looked into it, and I really dig what I hear.

They play dreamy, contemplative folk-pop. with a glockenspeil. Like Beirut meets Noah and the Whale. They hail from the UK and have only one release to date, 2008's Building Block (either a long EP, or a mini-album, whichever way you want to look at it). BUT you know their music without realizing it. Their song "Run" is featured in the macbook-is-the-greenest commercial.

Anyway, having heard most of their tunes, I can definitely say that "Get Up and Go" is the stand-out track. Check it ouuuuuut:





I can't even describe this song. It has an ethereal quality. It's another one of those lying-under-the-stars songs, but it's not as pure an simple all that either. It's gorgeous, light, and twinkling but with a lingering darkness. I can't explain what it is about it that I love so much, and it's driving me a little bit crazy. I mean, it's haunting.

So, this is definitely a band I'm going to be keeping tabs on. I don't expect "Get Up and Go" to be leaving my head anytime soon, anyway. Plus Joe Steer is HOT. Check him out:








He has so many feelings. oh baby.